Beyond rhythmanalysis

Beyond rhythmanalysis: towards a territoriology of rhythms and melodies in everyday spatial activities

Article in City, Territory and Architecture, written together with Andrea Mubi Brighenti.

Abstract: The recent, rich scholarship on rhythms, following in the wake of Lefebvre’s book Éléments de rythmanalyse (1992), proves that rhythmanalysis is an important sensitising notion and research technique. Despite its increasing recognition, however, rhythmanalysis has not yet become a proper science as its proponents had hoped. In this article, we argue that rhythmanalysis could benefit from being further developed and integrated into a wider science of territories. What research must attain is, we suggest, not simply a recording, description or analysis of rhythms; instead, the goal is to capture the life of rhythms as they enter territorial formations. A neo-vitalistic conception, in other words, could enrich the standard social-scientific understanding of the relation between rhythms and territories. More specifically, we submit that the notion of rhythm could be explored not only in terms of the recurrent patterns of association it defines, but also with essential reference to the intensive situations and moments it generates and, in the end, territorialises.

Fernand Deligny, Lignes d’erre [Wander Lines]. Courtesy Maison d'édition l’Arachnéen, Paris

Rhythmanalysing the urban runner: Pildammsparken, Malmö

This article is written together with Tim Edensor and Johan Wirdelöv, and is published in Applied Mobilities. 

Abstract: In this article we discuss the development of urbanized running culture by exploring how the embodied rhythms of running interact with other urban rhythms in a park. The analysis focuses on the timings, sensations and materialities produced through running, and how the rhythms of running intersect with the materialities and rhythms of others. The investigation draws on interviews, observations and a running diary undertaken at Pildammsparken in central Malmö. Our research shows that while the runner, in endeavouring to align with the rhythms of others, may becoming a more disciplined figure, running in the park is more concerned with practising a sharing of space than moving on auto-pilot. Consequently, running is largely a mobile rhythmic practice that negotiates and adapts to co-produce eurhythmic choreographies in this particular urban location.

Pildammsparken, Malmö (map by Johan Wirdelöv)